Unique Halo musicians not suing Microsoft over royalty dispute, matter “amicably resolved”

Again in February, Halo sequence composers Marty O’Donnell and Mike Salvatori mentioned they might sue Microsoft over excellent royalties, even contemplating blocking the discharge of Paramount’s Halo TV present. . Apparently, that didn’t occur (4 episodes can be found on Paramount+) and it appears as if the matter was settled with out the necessity to take it to court docket.

In a easy tweet, O’Donnell plainly wrote “Microsoft and O’Donnell/Salvatori, Inc., are delighted to amicably resolve their variations.” On the time of writing, neither he, Salvatori, nor Microsoft have made any additional extrapolations, so it seems that all events concerned have been capable of attain a passable settlement.

O’Donnell and Salvatori claimed they have been owed royalties for at the least 20 years and had spent 10 years attempting to get readability from Microsoft. After failing to make any progress, the pair selected to sue the corporate. In the meantime, Microsoft argued that Halo’s music was to be handled as a hire-for-hire work, implying that it was the only real creator of the work, which was disputed by O’Donnell and Salvatori.

The duo beforehand labored on the music for the Halo sequence, from Halo to Halo: Attain, throughout Bungie’s tenure as developer. He composed Bungie’s subsequent undertaking, Future, though O’Donnell was fired in 2014 and his contributions have been left unused. He now works at Highwire Video games, the studio behind the controversial Six Days in Fallujah, which he based in 2015. Salvatori stays part of Bungie and continues to provide music for Future 2 and its enlargement.


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